Recital de canto lírico: apogiatura na música de Mozart

Abstract

This work, of a performative and theoretical nature, has as its theme Final Recital of Lyrical Singing: Classical Music in Mozart's Coloratura. The work aims to analyze the musical characteristics of the classical period in the interpretation of classical singing. For the realization of this project, historical methods were used to discuss the life and investigate the origin and context of the works of the composer Mozart (1756-1791), aiming at the recognition of the musical characteristics of his period, as well as the laboratory method that contributed to the analysis of the structure of harmonic progression, facilitating interpretive strategies. These methods were articulated with bibliographical research. Furthermore, the use of audio and video by contemporary performers helped the study of the chosen works. From the application of these methods and processes, it was cyclically possible to consciously refine the works under study. It is hoped that this project will serve to demonstrate other possibilities for preparing the recital and may contribute to carry out other studies in this training area. We understand that the application of this proposal to other performers can reveal new findings relevant to the enrichment of musical performance.