Canção “nangu nindyoko” do Lar das irmãs mercedárias de Pemba / Chuiba – Cabo Delgado: arranjo, análise e interptretação para piano

Abstract

This research seeks to Arrange and analyze for Piano the local song “Nangu Nindyoko” sung in Chuiba at the sisters' home in Pemba/Cabo Delgado, for the elaboration of the work analytical methods were used which consist of analyzing, separating a tone into its parts or its constituent elements, based on the fact that to understand a phenomenon it is necessary to decompose it into its parts and the artistic method is a type of research that requires experience for its implementation and not stories, is based on the experimental method, that is, the researcher must go to the field to collect true information for his research and not that of others, finally bibliographical research which consists of consulting theoretical references already analyzed, published in written or electronic media, The following researchers were part of the theoretical foundation: Tomas Borba, Fernando Lopes Graça, Carlos Almada, Nelson Faria, among others. For the song Nangu Nindyoko, Functional Harmony was used as it gives flexibility in changing the structure and offers freedom to apply the chords, this choice was due to its influence on the functional analysis, and for the arrangement of the song, Harmonization of the melody was used. Song, where the types of accompaniment that gave the culmination of the song arrangement were divided. The types of accompaniment used are: Accompaniment with pedal note; Ostinato accompaniment, Choral-style accompaniment, Block accompaniment, Arpeggiated accompaniment. With this work, we intend to challenge more students in the area to invest in the systematization of the local repertoire.