Signos teatrais em Regina a virgem prostituta da montanha do moçambicano Dragão Bee Yoni

Abstract

Theatrical signs are all possible languages ​​that constitute a whole in any sign as a phenomenon of production of meaning and sense. “The sign constitutes language, it is that which under a certain aspect or mode represents something or someone and can be understood as some, something that is in place of another, that is, being in such a relationship with the other that for certain purposes it is considered by some as if it were that other” in a few words, the work “virgem progresso da montanha”, is a novel that explores themes of identity, culture and social inequality here in the country. And it revolves around a woman who, despite being a virgin in a society that marginalizes her, is forced to deal with issues of exploitation and sexuality due to life circumstances. It (the work) is known for its social criticism and the way it addresses issues of gender and power between men and women within society. We are faced with a narrative that mixes magical realism and social criticism. The story takes place in a rural setting up north and revolves around a woman named Kani (Regina) who lives on a mountain and is known for her purity and beauty. Despite her reputation as a virgin, she is seen as a dangerous woman who lives in the mountains and is so desired by men that she ends up being hated by other women who decide to abandon those lands. Regina finds herself involved in situations that force her to deal with sexual exploitation and gender inequality, even though she has received several men in her house, she has never lowered her panties, ( TRADUÇAO NOSSA)