O tempo ritmo na voz e na linguagem do actor

Abstract

The Tempo system – Rhythm in the Actor’s Voice and Language is necessary to give the freedom to create the actor's voice and its parameters in representation. Of the various consulted authors, are committed to the delivery capacity and decisions that the the voice will suffer when experimenting with various levels of representation in creating a vocal language that follows a logic outside of clichés and stereotypes. At this time - rhythm in vocal language provides a necessary vision for the actor's work in the construction vocal and expressive expression of the actor, enabling adaptations to the reality in which the actor finds himself fence.

To prepare this work, I was based on the data collection method bibliographical and collective and individual creation of the character. I used reasoning theory as a form of reflection and validate the artistic process as a research and/or field activity for the creation of new artistic ideals. However, This process allowed me a methodological approach to fundamental indices theoretical and practical. During data collection, it was possible to keep or write down all the steps in a diary, where the process was systematized in a sequenced manner, and also included processes of essays that were analyzed in the choice of text, character construction, vocal construction, creation and art direction, allowing a laboratory capable of searching elements that can contribute to a quality application in research.