Vivências e melodias : estudo das experiências e expressões artísticas dos artistas Emo na Cidade de Maputo

Abstract

The aim of this work is to analyse the artistic expression of Emo artists in the city of Maputo, Mozambique, and their relationship with reality and the social context. The research was conducted in two studios, located on the outskirts of the city, namely Rayso Studio and Bella Music. A qualitative approach based on direct observation and semi-structured interviews was used to explore the artists' experiences and perceptions of the Emo subculture. To construct arguments, the research was inspired by the interpretive perspective, considering the meanings constructed within the social context, as proposed by Geertz (1989). The research results revealed an interpretation and reconfiguration of the Emo style in the local context of Maputo City, with a particular emphasis on the musical aspect, while the subcultural aspect was partially excluded or modified. By understanding the representations and artistic manifestations of Emo artists, this research will contribute to a better understanding of the Emo phenomenon in Maputo City, highlighting how the artistic expression of Emo artists reflects their reality and social context. By exploring the characteristics of Emo artists, their life experiences and analysing them in the context of their lyrics, it will be possible to identify the main themes addressed by Emo artists and how these themes relate to the reality and social context in which they are inserted in Maputo.