A representação da mulher na canção urbana de autoria femenina: linguas changana, ronga e portugues 1980- 1994

Abstract

This work is the result of an investigation that focused on 24 female songs, sung in Ronga, Changana and Portuguese, produced between the years: 1980-1994. The objective of this work is to demonstrate, through the study of isotopes, themes and rhetorical processes, (i) the perspective in which the discourse of the female singer (feminine, feminist or other) fits; (ii) forms of representation of women and, (iii) marks of poetry from the oral tradition. The dissertation comprises an introduction, three chapters, conclusions and recommendations. In the introduction, we summarize the relevant points of the work. In chapter 1, we present a review of the bibliography, subdivided into two parts. In the first part, we present a review of the bibliography on the historical-literary context of feminism, dedicating the second part to a bibliographical review of the concepts of the theory of literature used in the analysis. The research method is presented in chapter 2. The analysis is included in chapter 3. At the end, the conclusions and recommendations are followed.